The evidence shows that an average college student can detect lying with a somewhat better average than the average detective.Īnd when true crime sort of took over the genre of long form in America, I was one of the early resistors. daily news for NBC Nightly News and the Today show and long-form documentaries on NBC, but also on the CBC for years covering politics mostly, but other stuff, lots of stuff, and I enjoyed it immensely. I had covered all kinds of stuff for a long time in Canada and the U.S. Getting into this line of work, this storytelling about true crime, was not an easy thing for me. You don’t have to see them carted off to prison. So you can leave things in advance … as long as listeners or viewers kind of understand what’s what and who’s who and what happened.
Dateline podcast episodes trial#
I fully anticipate that there’ll be another trial before too long - and would already have been by now, had it not been for COVID. How then do you craft a compelling conclusion for listeners? To your point, investigations are still pending, so her story really isn’t finished. We’re still investigating just how many bodies that may be. She seized upon a religious crusade that would give her some real purpose in her life, but it went off the rails, and it left bodies in its wake. This is a story about a woman who had been having trouble getting stability in her life, who had kind of bounced from one thing to another, one husband to another, one difficulty to another. I’m from Canada, and people used to say - and maybe still do - that “We don’t get as many murders in Canada, but they’re so interesting.”įor those who are unfamiliar with the particulars of the Lori Vallow story, what can they expect out of this podcast? Although, I don’t know whether it is safe to say such a thing, but some of the most interesting criminal minds you run across are the women. Is it just coincidental that the two podcasts you’ve done so far have centered around crimes perpetrated by women? I’m just talking about it in terms of storytelling, the morality of these things is quite another matter altogether. If you can allow people to imagine what might be coming next, and that what is coming next is really quite remarkable, then you’ve got a good story to tell. And also things that happen that you wouldn’t think could possibly happen. Keith Morrison: I think the principles of a good story are all the same … It needs a strong character who people are amazed by and want to hear more about. When you sit down to review the vast number of cases Dateline has covered over the years to select one for the podcast treatment, what criteria are you looking for? Vulture recently spoke with Morrison about Mommy Doomsday, his initial reluctance about covering true crime, and the one case that he just can’t seem to shake. The series, produced by Dateline and NBC News in partnership with Neon Hum, debuts February 16 with two episodes. So fun, in fact, that Morrison has decided to do it again: His new podcast Mommy Doomsday follows the bizarre story of Lori Vallow, an Idaho woman whose two children went missing in 2019 and were later discovered dead on her husband’s property in 2020. “I was somewhat skeptical at the beginning that this would be such a good fit for us, but once you realize that you’re not constrained by all the structure of a television show, you can get more into the details and down the rabbit holes. “I hadn’t given much thought to the podcast world because we were busy enough as it was,” says Morrison, who began his career in radio.
Dateline podcast episodes series#
1 on Apple Podcasts and will soon be adapted by Blumhouse Television into a limited series starring Renee Zellweger. For instance, the success of his first podcast, 2019’s The Thing About Pam, which hit No.
After more than 50 years in the broadcasting business, there are still some surprises to be had for Keith Morrison, the dulcet-toned correspondent of NBC’s long-running newsmagazine, Dateline.